Bernadette Hopkins Artist
  • Home
  • Performance Art
    • Cyber Horse and I
    • We Are Not Alone
    • 'Orchid and Crab Shell'
    • Ancestors
    • Sad Oranges
    • Salt and Prussian Blue
    • Leaving Patriarchy
    • Wild Swans Performance Art
    • Forgotten Places
    • Our Bodies Their Borders
    • Dust of Destruction: Breathe
    • Margaritifera margaritifera
    • Gothenburg performance
    • Fem 20 Performance
    • The Politics of Water
    • Bound for your Pleasure
    • Fem 2019 Girona, Spain
    • Tainted Cyan
    • 'Voicing the Bridge' Clady Border
    • Three People in a Room at a Table
    • We are all I know is there
    • Please Open the Door Behind You
    • Buried Deeds
    • The Invisible Red Line
    • The Broken Column
    • Administration of Occupation
  • Participatory Art
    • The Great Hunger Project
    • Rights of Nature
    • Breaking Borders 2022
    • Radical ReThink
    • Roots of Disarmament
    • Call for the Wild
    • Night of the Utopian Bonfire
    • Toxic Blush
    • Cyan SOS The Occupation
    • Drawn From Borders
    • Culture Crossroads
    • Utopia Ducks
    • Art of Resistance
    • Social Practice Art Collaborations
    • Bread and Roses Theatre
  • About
    • Artist Statement
    • CV
    • Biography
    • Recent Events
    • Publication Donegal Intercultural Framework Document
    • Contact
    • Misc.
    • Media
Bernadette Hopkins 
Picture
Artist Statement

I am a visual/performance and social practice artist and activist. My work explores human connections with the natural world and the creation of radical imaginary spaces based on collaboration and lived landscapes. I research and articulate that which seems unheard, submerged or without power. 
The bodily human edge has a strong influence on the processes I use as an artist in which I bring the skin to the fore as the border and boundary which seeks respect of the other. I work often collaboratively with other artists and communities of interest visualising creative environments of justice and collective empowerment.
​I see all my work as an invitation to a conversation, which is playful and empirical and is developed through art methodology, research and practice. 
All text and images on this website are copyrighted material and all rights are reserved 

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  • Home
  • Performance Art
    • Cyber Horse and I
    • We Are Not Alone
    • 'Orchid and Crab Shell'
    • Ancestors
    • Sad Oranges
    • Salt and Prussian Blue
    • Leaving Patriarchy
    • Wild Swans Performance Art
    • Forgotten Places
    • Our Bodies Their Borders
    • Dust of Destruction: Breathe
    • Margaritifera margaritifera
    • Gothenburg performance
    • Fem 20 Performance
    • The Politics of Water
    • Bound for your Pleasure
    • Fem 2019 Girona, Spain
    • Tainted Cyan
    • 'Voicing the Bridge' Clady Border
    • Three People in a Room at a Table
    • We are all I know is there
    • Please Open the Door Behind You
    • Buried Deeds
    • The Invisible Red Line
    • The Broken Column
    • Administration of Occupation
  • Participatory Art
    • The Great Hunger Project
    • Rights of Nature
    • Breaking Borders 2022
    • Radical ReThink
    • Roots of Disarmament
    • Call for the Wild
    • Night of the Utopian Bonfire
    • Toxic Blush
    • Cyan SOS The Occupation
    • Drawn From Borders
    • Culture Crossroads
    • Utopia Ducks
    • Art of Resistance
    • Social Practice Art Collaborations
    • Bread and Roses Theatre
  • About
    • Artist Statement
    • CV
    • Biography
    • Recent Events
    • Publication Donegal Intercultural Framework Document
    • Contact
    • Misc.
    • Media